soul & marginalia.

scribbler of songs & singer of poems. cultivating my sense of wonder. bibliophile. funkateer. latebloomer.


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YES. ps. lemon cake is my favorite. and it feeds me in a sunny way. i don’t know if it’s healthy, but i sure as hell love it. and i believe it loves me. AND folks who love me are often the ones who understand least, that the simpler the lemon cake, the better. amen. 

blkgirlwrites:

love

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lemon cake

love

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Sooooo part of my post-dissertational detox and re-assimilation program is catching up on cool stuff I’ve been meaning to do while I focused on a PhD instead. This includes finally watching a season’s worth of Awkward Black Girl episodes (which I also am…as if that was news). Anyway, my favorite episode so far is #6 “The Stapler.” Of course it’s hilarious.

If you haven’t been watching, go catch up on Season 1: http://awkwardblackgirl.com/ I’ll wait.

Here are my thoughts on the first season thus far.

1. J is hella awkward—as we know—but I can’t take the lying. I need her to own a larger portion of her awkward, which also includes being *awesomely awkward. Also—she and Nina could definitely get along. What they need is either a common goal, or more likely, a common enemy. Let’s see how this unfolds.

2.White J is a serious cutie pie. And the frontrunner as far as I’m concerned. Let’s see him at dinner and at the movies. I mean, he was an art major. And he wears sweaters when it’s sunny out. That’s serious points right there… And he’s got wit. Baddabing.

3. I sympathize w/ Fred. He seems like a decent cat. Here’s my theory: Fred is ambi-awkward. He’s a weird dude in a cute, socially acceptable package. While possessing a modicum of cool—he doesn’t spill into the hyper- comfy, uber-comfortable realm—Fred also hangs w/ the awkward kids. Darius (baby voice), White J, hell the whole birthday party was full of anxious, hyperaware cats. Unfortunately for Fred, he blends too well and will consistently have to prove his loyalties. As he moves between social tides, I wouldn’t be surprised if Fred often feels pulled between worlds. Poor Fred. Let’s hope he finds an ambi-cool, socially attractive girl to balance their union. That heffa Nina is too nasty to work.

4. Not only do I know all of these people, I am all of these people lol! I’m so glad that nerd is en vogue, JUST LIKE I SAID WE WOULD BE BACK IN MS. FRIERSON’s class in 1992! It was 7th grade and somebody got mad about me not sharing my paper or some foolishness like that. And I said nerds were gon rule the world. Or something like that…so yeah. Take that.

5. I’m definitely going to submit music to the show. I can already hear “Crush” in the background. Can’t you hear it, too: http://music.jdgreensoul.com/track/crush-pt-1-2? Oooh or Night or Sleepwalking… Yeah, I’ve got some links to compile :)

6. So, once I’m finally done dissertating, here comes something else for me to think all deeply and philosophize about. Thanks a LOT. It’s good to know that (black folks + keen observations) x social anxiety = hilariously awesome cultural commentary. Yes, I worked that out.

Concluding thoughts—

I’m really glad to see these characters exist in the world. And develop. It’s been a decade since I’ve given two blips about characters on a tv show and who’s gon hook up with whom. ABG gave me back something I didn’t even realize was missing (my stapler - lol). ABG is nerdporn of the highest order and I dig it. And I heartily recommend it.

Now, on to Episode 7!

What say you? But PLEASE don’t post spoilers for the rest of the season or I might have to bust out some hardcore lyrics on that azz.

Back to the lair,
JD

p.s. If you’ve got the duckets, donate to their show. You can hit use PayPal to give the gift of AWKWARD from their homepage: http://awkwardblackgirl.com

Check out the title track of the homie, Bashiri Asad’s, new album on BandCamp. We’ve shared a few gigs, looking forward to more. Support this brother’s groove by listening, downloading, and spreading the word about his brand of feel good soul. 

Y’all keep it on the one, now. 

JD

because i miss my mama and love these pics. why not, right? you post muscle pics and cleave shots, i tumbl polaroids of my mom. even steven :) if you feel it, post/photo reply w/ pic of your ma, or whomever you may be missing (read: within reason, this is a family show…).

love y’all.

So all day, I’ve been gathering samples. Samples of my writing, of my speech, my singing, trying to find the best representations of my “voice.” In my looking, I found an passionate plea that I posted on Facebook to get folks involved in the West Louisville Relay Life. I wrote this post on March 24, 2009 and closed it with the prose poem, “Four Skinny Trees,” by Sandra Cisneros.

Since then, the West Louisville Relay has been discontinued, folks of color continue to get cancer and not get adequate treatment until it’s too late, and I still hate cancer. Since then, my mother has been gone an additional 3 years, making it just over 10 years now, and I’m still trying to learn how to live without her on the other end of my phone call.

Since then, my friend and soror Kenisha has connected with the good folks at Gilda’s Club Louisville. And I’ve sung my songs to raise money for their invaluable services. And I can’t wait to do it again. Since then, I’ve learned that I don’t have to let cancer make me angry. Since then, Gilda’s has helped me to remember that life is funny, and wonderful, and it’s such a blessing to have one another in the midst of the pain. 

Since then, I’ve also learned about and become affiliated with the awesome organization, No Stomach for Cancer. They are oriented toward stomach cancer research AND educating the world about the very kind of stomach cancer that my mother had. While I am still angry sometimes, and miss my mother often, I am grateful for research and advocacy. Since then, I have started working with a genetic counselor to determine and adopt the appropriate measures to keep me alive should I carry the gene for hereditary diffuse gastric cancer. Since then, I still get scared, but it helps to know that someday, our efforts may outlive cancer’s devastation. Since then, I’ve gathered even more hope.

That original post is below. Since I dug it up, I wanted to share. I hope it touches you. 

Keep on keeping, y’all. 

JD

“Because cancer never sleeps…”

Ask anyone who has ever taken the “night shift” for a loved one with cancer, and s/he will surely tell you that cancer always seems to be awake, moving, perhaps even thinking, planning.

The first time I heard about the West Louisville Relay for Life, it was that line that stood out, reduced me to tears, and compelled me to become involved.

The idea of keeping someone on the track at all times between Friday evening and Saturday morning because cancer doesn’t take breaks or breathers, keeps me on the track in pursuit of a cure.

Since joining the 2007 relay in my mother’s memory after losing her to stomach cancer in 2001, I have:

§  witnessed my grandmother live and struggle with breast cancer that eventually spread to her liver and colon; we lost her on March 1, 2009;

§  tried to comfort my step-mom when we lost her Granny;

§  hugged friends and sisters grieving for mothers, fathers, siblings, and buddies;

§  watched as the famous and the little known were cared for, supported, and too often, mourned;

And in the eight years since Ma died, I have wondered if, someday, someone will be considering my wrestle with cancer.

I am no longer willing to watch anyone else suffer. I am determined to be as aggressive for a cure, as cancer is for destruction.

I participate in the West Louisville Relay because it gives me power to slay a dragon, to beat a monster, and to celebrate those who keep keeping. Raising donations for the American Cancer Society’s Relay 4 Life allows us to use our collective pain, outrage, and resolve to destroy a common enemy.

Living ten years with the immediate reality of cancer has convinced me that the expression “to win/lose one’s battle with cancer” is woefully inaccurate—a battle with cancer isn’t one to be considered won or lost; it is one that we must simply fight. To suggest otherwise dishonors the very ones we love.

 Please donate your money, energy, and meditations to the Relay 4 Life. Do it for those who have fought. Do it for all of us who would live in a cancer-free world. Join us May 15-16, 7:00pm-7:00am at Louisville’s Central High School Football Stadium to keep our feet on the path toward a cure.

***

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

Let one forget his reason for being, they’d all droop like tulips in a glass, each with their arms around the other. Keep, keep, keep, trees say when I sleep. They teach.

When I am too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks, then it is I look at trees. Where there is left to look at on this street. Four who grew despite concrete. Four who reach and do not forget to reach. Four whose only reason is to be and be.

—“Four Skinny Trees”, from The House on Mango Street by Sandra Cisneros

Hey folks, 

Since I get a lot of requests from folks about my dissertation work—fewer now than when I was working on it and homicidal, it seems—I figured I’d just post my abstract (summary of the whole project in a few paragraphs) here. Also because actually watching your eyes glaze over once I start to explain can be a bit unnerving, reading the abstract from here will allow you to not care and/or look up unfamiliar words discretely without flustering or tickling me. If you’ve got questions or want to see more, just let me know. 

ABSTRACT

 

THAT TERRIFYING CENTER:

POETRY, LANGUAGE, AND SUBJECTIVITY

 

Yalonda JD Green

That Terrifying Center is a creative and philosophical experiment in the transmission of corporeal experiences and socio-cultural knowledge through poetry.  I am bringing together the seemingly disparate threads of my studies into one creative-theoretical project: a collection of original poems exploring the development of multiple subjectivities, the terror of self-examination, and the scrutiny of memory; it is also a collection of poems that bear witness, that simply tell stories. These are poems that talk about what it’s like to live in a body; they ask questions and translate answers related to becoming woman, demystifying fear, investigating genealogies of pain, and narrating family histories. As the title of the project suggests, That Terrifying Center’s creative synthesis is fearsome work and the discursive chapters of this project are also part of the experiment. My poems interrogate language and somatic realities, this is not just what the body says—or how it is read by outsiders— but how it interprets, interacts with space, location, and geography. I see the body as a repository of memory and possibility.  Consciously, I want to cultivate a poetics of hybridity—experimentation with language and form, while keeping a narrative voice (or voices) telling the story, using absences, space, shifts in time, and memory to translate and even reproduce the sensations of being human.

The creative dissertation consists of a critical introduction and two conceptual halves. The first half is a collection of original poetry, divided into the following sections:  The Bottom Line, Absurdity, Conjure Woman, and Sunterblooms Ik Tew. The second half of the project consists of four discursive chapters. Chapter one presents the cultural and creative framework(s) that prefigure my treatment of “many-selvedness,” and black women’s embodiment as they draw from M. NourbeSe Philip’s concepts “s/place,” “dis place” and “bodymemory.” This chapter also considers “writing the body” and the reconceptualization of creativity in the poetry and essays of Audre Lorde. Chapter two presents my work as an in-process, prismatic poetics (of parallels and intersection, of reflection) —of language and sounds, but also of space and embodied experimentation that uses poetry as an epistemological tool. Taking a cue from poet Barbara Henning’s statement that Mullen adopts a kind of “verbal scat” in her poetry, I consider how the vocal scat in jazz is a particularly resonant metaphor for considering improvisation, language, and the role of “sound image” in the discussion of poetic experimentation in work by Harryette Mullen and others. Chapter three retraces the process of locating the thematic, formal and conceptual centers of the poetry manuscript. This chapter also presents some of the challenges involved in writing critically about my own poetry. In particular, I explore my desire for a poetics of hybridity and the conflicting pull to write conventional criticism and to write creatively in the discursive parts of That Terrifying Center, while considering the genesis and overall design of the creative-theoretical project.  Chapter four is a lyric essay that meditates on my personal interaction with these poems, speaking frankly about the ways in which grief, illness, and memory informed the earliest conceptions of this project, its shifts and its detours. In this final chapter, I reflect on the nature of my project: the poignancy of what it has meant to translate the language of my innermost selves, to plumb my own memories, to offer up the flesh and wonder of my own terrifying poems.

So that’s it. Now you know what I wrote about and why “what’s your dissertation about” is one of the most harrowingly infuriating questions you can ever as anyone who is currently working on her or his dissertation. 

 Anyway, y’all stay reading & thinking & scribbling,

 JD Green, PhD

be encouraged,

jd

At my doctoral hooding and graduation. I’m the ridiculously happy one in the middle. My very relieved and awesome dissertation chair is to my left. Yay! And no, I won’t be offended if you opt to call me Dr. Green. No, not at all :)

City Called Heaven. JD Green (by londyjamel)

Awesome times in the Stephen King/Dark Tower Universe. Yes, indeedy. Needs updating though: 11/22/63 is full of crossings, especially in Derry.

now THIS is a curriculum vitae! it’s over 70 pages with a table of contents! AND Sister Piper is an active philosopher and artist. she is, in other words, AWESOME. 

just fyi, 

jD

howtobenoladarling:

Black Girl’s Window, 1969, Betye Saar

(via blackcontemporaryart)

Gypsy Jazz lovers, check this out: next Sunday. Free concert. I’ve got to sing, but looking forward to the jam session @ The Bard’s Town that night @ 1030. Listening to some of the guys practicing now.

Can’t even concentrate on work they’re so good.

Support Louisville jazz and good music,
JD